4000 SQFT | Mumbai
2026
PARUL KUMAR & PIYUSH GOYAL
4000 SQFT | Mumbai
2026
PARUL KUMAR & PIYUSH GOYAL
“A home that greets you like an old friend”
Coming home should feel like slipping into the familiar grooves in your favourite slippers, like coffee brewed just right, like a paperback on the bedside, waiting for you to snuggle back into its pages. This home was designed to feel like just such a soft landing for a family of three frequent travellers. This delightful pied-de-terre overlooking Mumbai's heritage racecourse and miles of sea offers unparalleled comfort, spiked with generous measures of Parisian flair.

Enjoying floor-to-ceiling views of the sea, the living room houses some found and curated treasures. In the ‘finds’ category are the vintage carpets collected over months by PRD and the ceramic Chinese balustrades turned into lamps from the House of Mahendra Doshi. A selection of framed engravings from the 1807 book Oriental Field Sports cluster around a 20th-century French gilt mirror from Nilaya Anthology.
Sitting above the Mahalakshmi racecourse with the Arabian Sea unfurling beyond, this 4,000-square foot apartment in central Mumbai serves as a city pad for a family that’s always on the move. They needed a space that would greet them like an old friend the moment they stepped through its doors. The brief asked for four bedrooms, a den, an art studio, and generously proportioned living areas, all resolved within a single, considered floor plan. We imagined a contemporary European home painted in a romantic palette and filled with a lived-in kind of charm.


Chairs upholstered in mismatched fabrics circle the antique table with Richard Taylor’s hand-forged iron chandelier completing the rustic French scene.
Anchoring the seating area to the left of the dining table is a framed vintage phulkari bagh textile in saffron and ivory, a nod to the clients' Punjabi heritage, and paired with an aquamarine velvet sofa, a custom bone-inlay table commissioned in Jaipur. Layering this is the warmth of antique Mughal and Yarkandi carpets.
Both visions harmonise perfectly in the den. An elegant little island at the heart of the home, its contours are fluid. The den sits behind glass panels that move like sash windows to either open up the space to the living room, or shut out the world outside. Sunlight is always welcome here and it pours over the foresty greens of the Au Bord du Lac wallpaper. Inspired by the classic verdure tapestries of 18th-century France, it has a time-worn sepia tone that sets off the showstopping teal of the custom velvet sofa, the soft radiance of the brass Hanuman figurine, and the saturated pop colours of the ceramic vase.

In the den, custom cabinetry in a surprising pop of lacquered cranberry hides a large-screen TV and a Smeg refrigerator, handy for movie-night snacking.
Wrapping the den in the cool shade of a day by the lake is the Au Bord du Lac wallpaper by Pierre from Nilaya by Asian Paints, whose worn charm contrasts with the velvety sheen of the custom teal sectional. The brass Hanuman is crafted in the now-lost repousse technique, whereas the ceramic vase and portrait were serendipitous finds from Chiang Mai and Paris.
In the living room too, we were keen not to impose rigid order but rather to inspire an organic exploration of the space. A beautifully weathered circular wooden table from the family’s previous home anchors the space, surrounded by mismatched chairs – an elevated French farmhouse, complete with Richard Taylor’s rustic hand-forged oak branch chandeliers.
Flanking the dining table are two seating areas, each of the three are designed to be self-contained but with shifting borders that constantly lap up against each other. The vintage carpets, the pair of lamps created from old Chinese balustrades, and a gilt mirror on one end reflecting on the other, a framed piece of Phulkari, a family heirloom - all hint at a space in perpetual conversation with itself, and the sea outside.


The living room is painted a glowing shade of Basra Pearl from Asian Paints, which allows the colourful décor to stand out. A custom-built cabinet makes space for books and souvenirs gathered during the family’s frequent travels.
Throughout the home, colour appears and disappears to subtly direct the eye. In the living area, the walls are a lustrous backdrop to the statement décor and lighting. In the den, cabinetry in a juicy lacquered cranberry encloses the large-screen TV and, behind its doors, a cherished Smeg refrigerator. It melts into an ivory richness once again in the kitchen and master suites, allowing botanical wallpapers, family photos and vintage watercolours to shine forth.
The bathrooms are washed in palate-cleansing French pastels, making them oases of serenity. Drama returns in the guest suite, where a silk wallpaper in a heady ‘Indian Red’ ties together the profusion of prints flowering over the sofa, lamp, vase and carpet.



Vintage wall plates sourced from Mumbai's Chor Bazaar animate the white kitchen, where custom wooden cabinetry meets patterned tiles. A handmade Manipuri khantoke or woven basket holds fruit, while a vintage Gujarati patchwork godhri throw adds a dash of colour.
The guest suite is cocooned in the Indian Red silk wallpaper from Arte, layered with vintage engravings of native water birds, which reflect the client’s love for old prints. The bench is upholstered in Sabyasachi for Nilaya, the carpet is by Jaipur Rugs, and the brass wall lamps with printed textile shades are custom PRD.
The bathrooms are a refreshing wash of pastel aqua bordered with striped crown molding, paired with patterned floor tiles and layered with framed botanical illustrations. The vanity is custom-built.
As befits the home of seasoned travellers, the décor is a collection of serendipitous ‘finds’ as well as thoughtful commissions. The hand-quilted godhri from Gujarat, an oil painting from a flea market in Paris, a Shanghai Tang vase spotted in a warehouse in Chiang Mai - each carries the thrill of an unexpected discovery.
We evoke this sense of serendipity even with our custom-made pieces, including the bone-inlay coffee table commissioned in Jaipur and block-printed silk curtains with the classical French paisley design created in the PRD studio. A certain je ne sais quoi surfaces in other ways too: the tasseled door knobs, the striped crown molding in the bathrooms and the iconic blue-and-white chinoiserie vase in the guest suite.


The profuse botanical print of the India Paradis wallpaper by Sabyasachi for Nilaya covers the additional master suite, its lush print cooled by the soft green of the handwoven silk headboard. A Sarita Handa bedcover and Kashmir Loom pashmina throw invite you to sink into bed under the warm glow of the Lladró's Firefly wall sconces, hand-picked by the client.
We’ve used heritage textiles and archival prints to infuse a sense of history into every room. The carpets are a selection of antique Mughals, a rare Yarkhandi, and artisanal hand-knotted creations from Jaipur Rugs. The fabrics we chose also tell their own stories, from the heirloom Indonesian batik in the master bedroom to the hand-painted lotuses on Sabyasachi’s ‘Kamalika’ collection for Nilaya.
The art gives the impression of being gathered over time, rather than tightly curated, allowing 19th-century engravings of Indian hunt scenes to keep company with a contemporary Pichwai. French botanical prints bloom across one bedroom wall, while vintage illustrations of tropical birds flock on another.

The master suite comes together in warm wooden tones, right from the custom bed by PRD to the graceful lines of the cane-and-wood bench by Phantom Hands. The soft tones allow diverse patterns to be proliferate without ever clashing, from the hand block-printed cushions by Spring Rhythm, to embroidered linens from Good Earth and Kashmir Loom, to the one-of-a-kind Indonesian batik from Nilaya Anthology, to the hand-knotted floral carpets from Jaipur Rugs.
In the end, our aim was to create a home for this family that would allow them to pick up right where they left off. To put their feet up or plan the next adventure. To arrive, to exhale and to simply be.

PHOTOGRAPHY BY
Talib Chitalwala